African American Women In Design

A Highlight on Influences

Beverly Lorraine Greene: A Foundation, Not a Footnote

Long before conversations about representation entered the design world, Beverly Lorraine Greene was already shaping it.

 

In 1942, Greene became the first licensed African American woman architect in the United States, earning her degree from the University of Illinois at Urbana-Champaign. At a time when both architecture and higher education excluded Black women, her achievement marked a critical shift—not just in access, but in possibility.
 
Greene went on to work with influential firms and institutions, including Skidmore, Owings & Merrill, contributing to academic and civic projects connected to New York University and Sarah Lawrence College. Her work lived in spaces meant to educate, gather, and endure—places that quietly shape everyday life.
 
Her legacy extends beyond buildings. Greene’s career challenged who was seen as a designer, reinforced
modernism’s human-centered principles, and established a foundation for African American women in architecture and interior design today.
 
Beverly Lorraine Greene is not a footnote in design history—she is part of its framework.
 
Honoring her means recognizing that Black women have always been contributors to the built environment, even when their names were left out of the narrative.

 

Zelda Wynn Valdes: Designing Power, Not Permission

Before fashion embraced the language of empowerment, Zelda Wynn Valdes was already designing it—stitched into every seam.

 

Valdes was a pioneering African American fashion designer whose work centered the female body with confidence, sensuality, and intention. In an era when Black women were largely excluded from high fashion, she built her own space, opening a boutique in Washington, D.C., and later New York City—becoming one of the first Black women to do so.

 

She is best known for designing the original Playboy Bunny costume, but her influence stretches far beyond pop culture. Valdes dressed icons such as Josephine Baker, Ella Fitzgerald, and Dorothy Dandridge, creating garments that celebrated curves rather than concealing them.

 

Her designs rejected the idea that elegance required restraint. Instead, they honored strength, movement, and visibility—principles that continue to shape fashion, interior design, and creative direction today.

 

Zelda Wynn Valdes didn’t just design clothing.

 

She designed autonomy.

 

Her legacy reminds us that Black women have long shaped aesthetics, luxury, and cultural identity—often without credit, but never without impact. What she created wasn’t a trend.

As a designer of mixed black heritage, learning about women like Beverly Lorraine Greene and Zelda Wynn Valdes isn’t just historical—it’s personal.

Their work reminds me that Black women have always shaped space, form, and beauty, even when recognition lagged behind contribution.

As an interior designer, I carry that lineage forward by creating spaces that honor identity, confidence, and lived experience.

Every room I design is informed by that legacy—intentional, expressive, and rooted in the belief that design is not just about aesthetics, but about presence.

In conclusion, this work is my way of continuing the conversation they began—through space, through story, and through visibility.

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Comments

Cinde Law
11 days ago

Beautifully said and your work is amazing as we as personal!